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Finding a seat near enough the piano to act as page turner had Watkins needed such a thing, ugg outlet in sydney australia one was swept up into the action. The hour and a half long programme, with no interval, ran the gamut from Schubert and Purcell (Oliver Knussen's own fantasy on the celebrated Fantasia on One Note) to the Second Viennese School, Bartok, Kurtag, Stravinsky and Ravel.Watkins brought his consummate pianism to solo items by Schoenberg (the Six Little Piano Pieces, Op 19), Kurtag (a selection from Jatekok) and a ugg outlet in sydney australia short piece of his own, Chorale for Matt, dedicated to his co curator. Ensemble items were impressively dispatched with the remarkably talented ugg outlet in sydney australia clarinettist Timothy Orpen, violinist Thomas Gould and cellist Oliver Coates. Noteworthy were Webern's Four Pieces, Op 7, and Berg's Four Pieces, Op 5, ugg outlet in sydney australia Watkins's own haunting, evanescent Dream, and an invigorating performance of Bartok's Contrasts to end.There might be a case for short spoken introductions and an even stronger one ugg outlet in sydney australia for dropping distracting background film (Sussie Ahlburg's King's ugg outlet in sydney australia Cross Through a Kaleidoscope). In principle it's a terrific idea and once performers and audience alike have found their feet, it deserves to pull in a good crowd.
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